Just Passing Through: The Open House, at Manbites Dog Theater

02-familymeeting

L TO R: J Evarts, Matthew Hager, Marcia Edmundson, Michael Brocki, and Michael Foley as Father, in THE OPEN HOUSE by Will Eno. Directed by Jeff Storer, at Manbites Dog Theater October 27 – November 12, 2016. Photo: Alan Dehmer.

 

Manbites Dog Theater has staged works by Will Eno in the past, including the messily brilliant Oh, the Humanity (and other exclamations) in 2010, Middletown, and Thom Pain (based on nothing), all directed by Jeff Storer. Now Storer has staged Eno’s 2014 The Open House, directing a cast well known to him and to each other, in a play that puts some of Eno’s ideas about people and mortality into firmer form that his previous works.

In The Open House, an emotionally messed up white middle-class family is trying to have a nice day together. Or, some of them are trying; the other one is a chronic tyrant in a wheelchair. Father is a mean old bastard, casually but self-consciously cruel to his wife, son and daughter, and his brother, who lives with the family. It’s Father and Mother’s anniversary, and the grown children have come home, and nobody has any thing to say, or if they do, they don’t know how to say it, or they can’t say it, because they’ve lived a lifetime with Father’s verbal battering.

They are caught in amber. You can almost see it rising up around them, almost see it sucking at the bottoms of the son’s and daughter’s shoes as they escape to errands. Derrick Ivey’s design and Chuck Catotti’s lighting emphasize the dingy colorless stuckness of the family’s life, and the closed nature of their feedback loop.

04-hand-to-hand

Hand to hand resuscitation in THE OPEN HOUSE. Marcia Edmundson, left, with J Evarts, finally has someone pay attention to her bad wrist. Photo: Alan Dehmer.

 

But change is coming: the wheels of life will turn; transformations will occur. (It is, after all, a play–Eno is not so relentless in reminding us of that in this script, but he keeps it stagey.) It would spoil matters to tell you about them.

I found The Open House very sad, although it has plenty of laugh lines and ridiculous moments. All these people in the same room, each alone and longing and incapable of taking action, it’s rather Beckettian.

Father, cold and controlling of those around him, literally cannot–a stroke (ah, Malign Fate) has crippled him. Michael Foley gives one of his finest performances ever. With Father nearly immobile in his wheelchair, Foley must do it all with voice, facial expression, timing and small gestures, usually with the newspaper he uses as a shield and a prod. He crackles with animosity, which makes his slide into confusion even more painful to watch.

Michael Brocki as Uncle also does very fine work here, especially later in the 85-minute one-act. Marcia Edmundson, as always, is a joy to watch. Although she uses many of the same behaviors for each role, I can never spy the actor behind the character on stage. The Son doesn’t provide as much scope for Matthew Hager–he’s good here, but it would be nice to see him in a bigger role. J Evarts makes every role a big one, and she’s a dervish in this one.

 

Manbites Dog is not a repertory company, but it might as well be. It’s a theatrical home to some wonderful actors and directors and designers, many of whom have worked together for three decades now to mine the human psyche and put its intricacy and simplicity before us through the words of playwrights they’ve pondered together. If there is ever to be a great pax humanitas, it may rise up from a theatre such as this, where the hard work of the humanities goes on late into the night, year after year.

05-eye-to-eye

Michael Foley, left, and Matthew Hager, in THE OPEN HOUSE, by Will Eno. Directed by Jeff Storer. October 27 – November 12, 2016. Photo: Alan Dehmer.

 

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Bamboo Wind

An Evening of Dance, Sculpture & Photography

mhdekm

A topnotch WordPress.com site

peter harris, tapestryweaver

TAPestry And DESIgn

Gilbert and Sullivan's "Thespis" & "Trial by Jury" -- Director's Blog

a countdown to the next performance, October 12-15, 2017

Backstrap Weaving

My weaving , my indigenous teachers, my inspiration, tutorials and more........

Social Justice For All

Working towards global equity and equality

Not At Home In It

collections/connections

inkled pink

warp, weave, be happy!

warpologynotufos

Projects finished or in process by the Warpology studio

Peggy Osterkamp's Weaving Blog

"Weaving should be fun!"

SHUTTLE WORKS STUDIO

Studio Life of a Weaver, Spinner, Dyer

This Day in North Carolina History

The people and places of the Tar Heel state day by day.

Linda Frye Burnham

Laissez les bons temps rouler

Art Menius

Roots Music, Culture, and Social Change

Mae Mai

Boldly going where no cellist has gone before...

The Upstager

All the world's an upstage.

Literary Life in Italy

Looking at Italy through literature

The Five Points Star

Cultural criticism, news, schmooze and blues radiating from Durham, NC

%d bloggers like this: